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Bob Dylan ~ Ugliest Girl In The World


The woman that i love she got a hook in her nose
Her eyebrows meet, she wears second hand clothes
She speaks with a stutter and she walks with a hop
I don't know why i love her but i just can't stop

You know i love her
Yeah i love her
I'm in love with the ugliest girl in the world

If i ever lose her i will go insane
I go half crazy when she calls my name
When she says babababababy i l-l-love you
There ain't nothing in the world that i wouldn't do

You know i love her
Yeah i love her
I'm in love with the ugliest girl in the world

The woman that i love she got two flat feet
Her knees knock together walking down the street
She cracks her knuckles and she snores in bed
She ain't much to look at but like i said

You know i love her
Yeah i love her
I'm in love with the ugliest girl in the world

I don't mean to say that she got nothing goin'
She got a weird sense of humor that's all her own
When i get low she sets me on my feet
Got a five inch smile but her breath is sweet

You know i love her
Yeah i love her
I'm in love with the ugliest girl in the world

The woman that i love she a got a prizefighter nose
Cauliflower ears and a run in her hose
She speaks with a stutter and she walks with a hop
I don't know why i love her but i just can't stop


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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