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Big Star ~ Daisy Glaze


I'm driving alone
Sad about you
Not going home
What's to do
You better not leave me here
Better not leave me here
Ooh i want you here
How can you leave me here.

I lie in a stream
And floating fine
Receiving things
In my beautiful mind
Sometimes oh sometimes
Sometimes oh sometimes
Lover yes i am
Lover you know i am.

Now i'm in a bar
That's got to be where they are
Going to dance in the bar
They're going to fight on the floor
Faster than i can see.

Now i gonna score
Make for the door
Who is this whore ?
Soon be beggin drags.

And i'm thinking christ
Nullify my life.

You're going to die
You gonna decease.


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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