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Bel Canto ~ Bombay


I've been to Bombay
I've seen what a man can do
He climbs up a straight rope
Right up to the clear full-moon

And 'boom', he is gone
Yeah, heaven is not that far
And limbs from a body are falling down on the ground

Gee! It must be hard to do
Yes, it is true, yes, it is true
I think the limbs belonged to an orang-outang,
Orang-outang, orang-outang

I've been to Bombay
I've seen what a man can do
He climbs up a straight rope
A monkey is with him too

And 'boom', he's gone to heaven
He's mighty daring, mighty,
Right he must be some kind'a guru
He's out of orbit, out of orb...

It seems as if the rope was held by one of the Gods,
One of the Gods
So tight! Not like elephants' trunks
They wobbly-wob, wobbly-wob, wobbly-wob

I've been to Bombay
I've been to Bombay
In my youth
I've been to Bombay
I've been to Bombay
In my youth
YaYaeeaoouth!

And 'boom', he's gone to heaven
He's mighty daring, mighty right
He must be some kind'a guru
He's out of orbit, out of orbit
The crowd went hurly-hurly
( No, I would never lie to you )
He never came downn, never came down
(Yes, it is true )
He must have gone to heaven
(yes, it is true )
And out of orbit, out of orbit


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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