Free Lyrics 2026

Beautiful South, The ~ My Book


(heaton/rotheray) This is my life and this is how it reads For every chapter, a thousand memories A murder, a mystery where everybody bleeds A fantasy, a thriller with romance and disease Diary entry 9th of may '62 We've had some ugly babies but none were quite like you Diary entry '62 end of may It looks as if the nose and chin are definitely here to stay They're here to stay, they're here to stay If my lips start smiling and my knees start a-knocking I'm a failure You are, you are And if i seem half-hearted, it's because i'm broken hearted And i'm a failure You are, you are, you are (i am) You are, you are, you are (i am) This is my life and this is how it reads A documentary that nobody believes Albert steptoe in 'gone with the breeze' Mother played by peter beardsley, father by john cleese Diary entry '68 end of the year A cardboard apollo 6 has given the all clear 11th december '68 captain's log Proposed trip to mars is cancelled due to fog It's due to fog, it's due to fog If my lips start smiling and my knees start a-knocking I'm a failure You are, you are And if i seem half-hearted, it's because i'm broken hearted And i'm a failure You are, you are, you are (i am) You are, you are, you are (i am) This is the play, it was i who wrote the script Terry meets june in 'tales from the crypt' It was going to be a film but the camera person slipped They later found him scolding a banana Diary entry 10th of april '89 The world is going mad but me i'm doing fine I'm doing fine Back to bed, back to reality Just fine. more free lyrics

(heaton/rotheray)
This is my life and this is how it reads
For every chapter, a thousand memories
A murder, a mystery where everybody bleeds
A fantasy, a thriller with romance and disease

Diary entry 9th of may '62
We've had some ugly babies but none were quite like you
Diary entry '62 end of may
It looks as if the nose and chin are definitely here to stay
They're here to stay, they're here to stay

If my lips start smiling and my knees start a-knocking
I'm a failure
You are, you are
And if i seem half-hearted, it's because i'm broken hearted
And i'm a failure
You are, you are, you are (i am)
You are, you are, you are (i am)

This is my life and this is how it reads
A documentary that nobody believes
Albert steptoe in 'gone with the breeze'
Mother played by peter beardsley, father by john cleese

Diary entry '68 end of the year
A cardboard apollo 6 has given the all clear
11th december '68 captain's log
Proposed trip to mars is cancelled due to fog
It's due to fog, it's due to fog

If my lips start smiling and my knees start a-knocking
I'm a failure
You are, you are
And if i seem half-hearted, it's because i'm broken hearted
And i'm a failure
You are, you are, you are (i am)
You are, you are, you are (i am)

This is the play, it was i who wrote the script
Terry meets june in 'tales from the crypt'
It was going to be a film but the camera person slipped
They later found him scolding a banana

Diary entry 10th of april '89
The world is going mad but me i'm doing fine
I'm doing fine

Back to bed, back to reality
Just fine.

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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