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Bare Jr. ~ Why Do I Need A Job


Why do i need a job, why do i need a job
I feel so free, i got nowhere to be
So why so i need a job
I once worked for an old bastard
Who always pushed me to work faster
He made fun of me
Cause my hair was green
He tried to stick his hands into my jeans
My girlfriend is a stripper in abilene
She likes me to stay home and watch tv.
She pays for my food,
She likes to be rude
She undresses her friends for me
I don't have a clue
What i wanna do
Maybe i could invent
Something cool
Or i could do time
For committing a crime
Then sue for a million
Or two
I traded my car for a van
Filled it with gas, guitars and this band
They pay us with beer,
We stole all this gear
So why don't ya'll
Give us a hand


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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