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At The Drive-in ~ 198d


This is forgiven
If the uniform fits
Postponed
At the first showing
This is the tension mold
Of frozen icicles
And it feels like it's snowing
You speak in tongues
Tremors that warn us of ourselves

Born in hearts
Etched in cold
At the first showing
(walk away)

Nothing bleeds the same
My travel expenses paid
Postponed
At the first showing
This dance is out of rhythm
We trip on excess steps
Postponed
At the first showing
You speak in tongues
Tremors that warn us of ourselves

Born in hearts
Etched in cold
Swingsets pay
The playground toll

Tremors that hold us
Tremors that warn us
Nothing bleeds like


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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