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Ani Difranco ~ Sick Of Me


How sick of me
Must you be
By now
While you're standing just outside
Of what your pride will allow
Always reaching into yourself
To find a new way to understand me
When i'm sure that there's no one else
In the world
Who could withstand me

The first person in your life
To ever really matter
Is saying the last thing
That you want to hear
And you are listening hard
Through the splintering shards
Of your life as it shatters
And you're standing firm
And you're staying close
And you're seeing clear

I took to the stage
With my outrage
In the bad old days
When you were the make-me-mad guy
But the songs
They come out more slowly
Now that i am the bad guy
And i say, i'm sorry i'm so crazy
I am astounded by your patience
And you say, believe it or not, baby
The joy you bring me
Still outweighs it

The first person in your life
To ever really matter
Is saying the last thing
That you want to hear
And you are listening hard
Through the splintering shards
Of your life as it shatters

And you're standing firm
And you're staying close
And you're seeing clear

How sick of me
Must you be
By now?


Acoustic bass ‹ jason
Pianet, organ, singing ‹ julie
Pedal steel ‹ lloyd maines
Singing ‹ mark hallman
Tenor guitar, singing ‹ ani



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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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