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Alice in Chains ~ Sickman


What the hell am i?
Thousand eyes, a fly
Lucky then i'd be
In one day deceased

Sickman, sickman, sickman

I can feel the wheel, but i can't steer
When my thoughts become my biggest fear

Ah, what's the difference, i'll die
In this sick world of mine

What the hell am i?
Leper from inside
Inside wall of peace
Dirty and diseased

Sickman, sickman, sickman, sickman

I can see the end is getting near
I won't rest until my head is clear

Ah, what's the difference, i'll die
In this sick world of mine

Can you see the end?
Choke on me my friend
Must to drown these thoughts
Purity over rot

(spoken in backround)
"yeah, though i walk through the valley of rape and despair
With head high and eyes alert
I tread on a plane of many
We who are of good nature and intention,
But cannot touch on the dark
Recesses of memory
And pain learned, so come walk
With me, feel the pain,
And release it..."
What the hell am i?
Worn eroded pride
Saddened 10 miles wide
I'm gonna let it slide

Sickman, sickman, sickman, sickman

I can feel the wheel, but i can't steer
When my thoughts become my biggest fear
Ah, what's the difference, i'll die
In this sick world of mine
Ahh, etc., etc.



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Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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