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Alex Parks ~ Stones & Feathers


There's nothing left for me to do
just like time and time and time again
what else is left for me to prove?
but when it comes around
I can't help falling down

is this the state of so-called pleasure?
or just the weight of stones & feathers
I'm not myself
maybe I'm never

just like tear that fades away
just like a word I can't express or can't explain
a thousand voices in my brain
I wish they'd comfort me
instead it's torturing

is this the state of so-called pleasure?
or just the way I'm made to measure
I'm not myself
maybe I'm never

when all is said and done
I confess I've had enough

is this the state of so-called pleasure?
or just a chill that lasts forever
I'm not myself maybe I'm never

is this the state of so-called pleasure?
or just a break in heavy weather
I'm not myself
maybe I'm never



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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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