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40 Below Summer ~ Drown


Chase this tease into the open wave
And take this leash into your inner slave
Follow me into the open end
Now gather these pieces of broken man


I will set in motion - to open me up again
I will make the ocean - swallow me up and then
DROWN


Close this cell - imprison your only friend
And I can't kill - but I'm not so innocent
Rid this place of me and everyone
And change this face to burn in the sun


I will set in motion - to open me up again
I will make the ocean - swallow me up and then
DROWN


Stop this life - I can not stop this life
I can not stop this life - I can not die


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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