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Travis ~ She's So Strange


She's so strange
And she wore a black moustache
And pilfered all the petty cash
She went to Birmingham
She'll soon be in the can

She's so cruel
And she knew what just what to do
And while the cats were all sniffing glue
They played their silly games
And now they'll take the blame

What she'd done
And she didn't know quite what she did
And they told her that she better had
So now she starts to cry
Without a reason why

She's so poor
And only now she's looking back
Sees her story on a paperback
What will become of her
There's not much left for her


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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