Free Lyrics 2026

Ludacris ~ Area Codes


[Nate Dogg] [chorus] I've got hoes I've got hoes, in different area codes (area, area codes..codes) hoes, hoes, in different area codes (area, area codes..codes) [Ludacris] Now you thought I was just 7-7-0 And 4-0-4, I'm worldwide bitch, act like yall don't know It's the abominabol "O" man Globe-trot international post man Neighbor-dick dope man 7-1-8s, 2-0-2's I send small cities and states I-O-U's 9-0-1, matter fact 3-0-5 I'll jump off the d-4, we can meet outside So control your hormones and keep your drawers on 'Til I close the door and I'm jumping your bone 3-1-2, 3-1-3, 2-1-5, 8-0-3 Read your hor-o-scope and eat some hor-derves Ten I pump one these hoes is self serve 7-5-7, 4-1-0, my cell phone says overload [chorus] [Ludacris] Now everyday is a hol-i-day So stop the violence and put the 4-4 away, keeps you to hold today 5-0-4, 9-7-2 7-1-3, whatcha gon do You checkin up the scene, I'm checkin a ho tonight With perpendicular vehicular homicide 3-1-4, 2-0-1 Too much green, too much fun I bang cock in Bangkok Can't stop, I turn and hit the same spot Think not, I'm the thrilla in Manilla, Schlong in Hong Kong Pimp em like vision, magic Don Juan Man after Henny with a coke and a smile I just pick up the muthafuckin phone and dial I got my condoms in a big-ass-sack I'm slaggin this dick like a New Jack, biatch [Nate Dogg] Is it cuz they like my gangsta walk? Is it cuz they like my gangsta talk? Is it cuz they like my handsome face? Is it cuz they like my gangsta ways? Whatever it is, they love it And they just won't let me be I handle my biz, don't rush me Just relax and let me be free Whenever I call, come running 2-1-2 or 2-1-3 You know that I ball, stop frontin 'For I call on something to free [chorus] [Ludacris] 9-1-6, 4-1-5, 7-0-4 Shout out to the 2-0-6 Everybody in the 8-0-8 2-1-6, 7-0-2, 4-1-4 3-1-7, 2-1-4, 2-8-1 3-3-4, 2-0-5, I see ya 3-1-8, 6-0-1, 2-0-3 8-0-4, 4-0-2, 3-0-1 9-0-4, 4-0-7, 8-5-0 7-0-8, 5-0-2 And different area codes.. more free lyrics

[Nate Dogg]
[chorus]
I've got hoes
I've got hoes, in different area codes (area, area codes..codes)
hoes, hoes, in different area codes (area, area codes..codes)

[Ludacris]
Now you thought I was just 7-7-0
And 4-0-4, I'm worldwide bitch, act like yall don't know
It's the abominabol "O" man
Globe-trot international post man
Neighbor-dick dope man
7-1-8s, 2-0-2's
I send small cities and states I-O-U's
9-0-1, matter fact 3-0-5
I'll jump off the d-4, we can meet outside
So control your hormones and keep your drawers on
'Til I close the door and I'm jumping your bone
3-1-2, 3-1-3, 2-1-5, 8-0-3
Read your hor-o-scope and eat some hor-derves
Ten I pump one these hoes is self serve
7-5-7, 4-1-0, my cell phone says overload

[chorus]

[Ludacris]
Now everyday is a hol-i-day
So stop the violence and put the 4-4 away, keeps you to hold today
5-0-4, 9-7-2
7-1-3, whatcha gon do
You checkin up the scene, I'm checkin a ho tonight
With perpendicular vehicular homicide
3-1-4, 2-0-1
Too much green, too much fun
I bang cock in Bangkok
Can't stop, I turn and hit the same spot
Think not, I'm the thrilla in Manilla,
Schlong in Hong Kong
Pimp em like vision, magic Don Juan
Man after Henny with a coke and a smile
I just pick up the muthafuckin phone and dial
I got my condoms in a big-ass-sack
I'm slaggin this dick like a New Jack, biatch

[Nate Dogg]
Is it cuz they like my gangsta walk?
Is it cuz they like my gangsta talk?
Is it cuz they like my handsome face?
Is it cuz they like my gangsta ways?
Whatever it is, they love it
And they just won't let me be
I handle my biz, don't rush me
Just relax and let me be free
Whenever I call, come running
2-1-2 or 2-1-3
You know that I ball, stop frontin
'For I call on something to free

[chorus]

[Ludacris]
9-1-6, 4-1-5, 7-0-4
Shout out to the 2-0-6
Everybody in the 8-0-8
2-1-6, 7-0-2, 4-1-4
3-1-7, 2-1-4, 2-8-1
3-3-4, 2-0-5, I see ya
3-1-8, 6-0-1, 2-0-3
8-0-4, 4-0-2, 3-0-1
9-0-4, 4-0-7, 8-5-0
7-0-8, 5-0-2
And different area codes..

more free lyrics

Random Albums and the Artists list from our database.

Carpenters, The - Close to You Slayer - God Hates Us All Allman Brothers Band, The - Win Lose Or Draw Garbage - N/A B*witched - Awake & Breathe Bee Gees - unknown Vitamin C - N/A Phil Collins - Hits Dashboard Confessional - The Swiss Army Romance Chris De Burgh - Love Songs Aaliyah - One In A Millon Bette Midler - For The Boys LeAnn Rimes - LeAnn Rimes Ronan Keating - Ronan Bruce Springsteen - unknown Beastie Boys - N/A Papa Roach - Lovehatetragedy Alice in Chains - Unplugged Chicago - Night And Day AC/DC - The Razors Edge Bee Gees - One Brand New - Deja Entendu Badly Drawn Boy - Have You Fed the Fish Chris Rea - Water Sign 311 - Soundsystem Zwan - N/A Papa Roach - Lovehatetragedy Cherry Poppin' Daddies - Kids On The Street 2 Live Crew - As Clean As They Wanna Be, Pt. 2 Barbra Streisand - One Voice Aaron Neville - Warm Your Heart April Wine - On Record Blur - Parklife Blur - unknown A1 - The A List Beatles - Box Set Cradle Of Filth - Bitter Suites To Succubi Birthday Party, The - unknown Broadcast - Work & Non-work Better Than Ezra - How Does Your Garden Grow?

Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

Music & Audio